Yes, Mies van der Rohe is Antiseptic and Cold and Socialist

by Will Wilkinson on January 28, 2008

Yes, I know the political history of the Bauhaus and the International School, thank you very much. (That major in the history and philosophy of art is not worth nothing!) And I admit it does put a strain on my not-very-well-thought-out analogy, if that’s the modernism you had in mind. Of course, I had in mind houses that actually are very lovely and quite nice to live in. How about Frank Lloyd Wright (everybody loves him, right?) or Richard Neutra?

Perhaps the difference in mentality I had in mind is better captured by the difference between the person who is able to grasp why Mark Rothko, say, is a much greater painter than Bouguereau. If you don’t get it, well, then that just proves my point, doesn’t it?

Anyway, semi-silly aesthetic analogies aside, the point is that people’s natural tastes for social structure runs toward the tribal and teleological, but this isn’t actually that good for people. Market liberalism, which is too abstract or “thin” to seem really satisfying or meaningful, since there is no single common goal that transcends the goals individuals happen to have, actually leaves people better off than all the alternatives, and measurably so. It’s not hard to understand why people are so attracted to National Greatness, or to Bouguereau. But with a little inspection of the evidence, or a little development of taste, one can see why this is a mistake… is what I was getting at.

It’s not just that you should be ashamed of your vulgarity if you thrill to the idea of America uber alles, though of course you should, but rather that you should be ashamed of preferring a morally worse state affairs over a better one. People who thunder on about virtue like to complain about the immaturity and self-indulgence of individuals in commercial societies, but those people are very often the ones seeking to indulge atavistic social instincts that our moral culture has begun to mature past.

I don’t have a beef against virtue. Far from it; I’m a big fan of the attempt to study character strengths scientifically. But virtues, if they are worth caring about, are instrumental to well-being and relative to social and economic structure. McCain’s brand of military virtue isn’t admirable in a politician. It’s dangerous. And it does not seem to me that McCain has any worthwhile virtues that, say, Mitt Romney lacks. Indeed, I suspect that my man Mitt has modern managerial and leadership virtues that all the other candidates lack. If Romney is the candidate of virtue, it’s because he’s a first-rate capitalist, not an abstemious Mormon family man. And, as far as I can tell, Barack Obama has a much more inspiring capacity for leadership than does McCain, if that’s the sort of thing you like. The only reason a virtue-thumper would be touting McCain in particular is an infatuation with the virtues of war.

  • Anonymous
    Will, I agree with basically everything you said, and I even like Rothko, but that Bouguereau painting is beautiful. I actually gasped when I followed that link. Does this mean trouble?
  • Frankly, I have never understood visual art very well, but let's see if I can muster a similarly snotty analogy based on classical music. I propose the bombastically impressive Der Ring des Nibelungen versus J.S. Bach's deceptively simple-sounding partitas and fugues for violin solo.
  • Rue Des Quatre Vents
    I simply thought the analogy between classical liberal thinking and modernist design strained. However, you could have kept your best line and analogy and still made you strongest point: nationalist conservatism feels just like the musty lion hunting club you describe. But clearly there are more styles than the modernist or that of a Rush Limbaugh inspired Jumanji Den?

    Given what you've described as your reasons for supporting classical liberalism, I would think Louis Sullivan's famous dicta about the skyscaper--that form ever follows function--would serve you quite nicely.

    And incidentally, I am a Rawlsian libertarian just like yourself.
  • Rue Des Quatre Vents
    As an aside, my photo essay on digitally driven architecture can be found here:

    https://www.technologyreview.com/Infotech/19869/

    By the buildings I chose to profile, you'll see have no quarrel with moderism.
  • kkhjlk
    Rothko was a more complex thinker with more modernist sensibilities. That makes him a greater painter? I suppose Schoenberg is a greater artist than Dvorak too. Ah the sublimity of casting off creaky old forms.
  • Sigivald
    Wright? A hack that made cold houses with leaky roofs.

    Happy?
  • bjk
    But all of McCain's wars are in the name of a morally superior state of affairs. Iraq, Kosovo, Afghanistan, his support for intervention in Darfur, Somalia, Rwanda, etc.
    McCain's support for amnesty is of a piece with his enthusiasm for invading the world. Both satisfy his considerable appetite for sanctimony. By the way, post-nationalism is the future and always will be.
  • Hmm, I think that comparing systems in which one is organized to art an be problematic. Perhaps it's unfair to apply one's personal experience in such matters (though the understanding of art seems to invite if not beg the reaction) but whereas I might describe my experience as a libertarian-leaning person as that of someone whom, as you suggest, rationally prefers to have things work in a sensible and unconstrained-as-possible manner, my experience with Rothko, for example, is an emotive, quasi-spiritual gut reaction that considers the conceptual aspects of the work as an afterthought. In all of your examples I am on your aestheic "side" and yet I don't feel like I can buy fully into the metaphor.

    Then again, I am subject to an emotional reaction when it comes to personalities- when I find someone creepy (which can occur with politicians), I am more likely to find their ideas suspect too. I don't *think* this indicates a lack of intellectual evolution on my part- I think some emotion adds to one's experiencing of many things, including social structure.

    So maybe I like your analogy after all. :-)
  • I liked the old analogy better. I agree that the Bouguereau is terrible... but Rothko is better? Seriously? Allow me to play the philistine by saying that Rothko sucks. Yes, I took the requisite college art classes that were supposed to make me appreciate modern non-representational art, I even went to see the Rothko exhibit in person... and I still think it sucks. C'mon, it's big stripes of color. Okay, okay, they're layered and stuff. Whatever, they're still just big colored stripes. Simultaneously pretentious and unimpressive.
  • Sounds very nice...in theory.

    In reality, China's Commies managed to grow their economy at a rate of 11.5% last year while America's economy is actually shrinking.

    People who live in glass hunting lodges...
  • 'Virtue,' Montesquieu noted, is the "glue" that holds together republics, while 'honor' is the glue that holds together monarchies. Bowman's book noted that all of the Judaic/Christian cultures began a post-honor sociology as a consequence of WWI, which leaves us with only 'virtue' and a wistful nostalgia for 'honor' as the glues to hold republics together. "Honor,' by the way, is always an important 'glue' for the military, as in "Duty, Honor, Country" as the motto at West Point.

    M noted one other glue, however: absent 'virtue' or 'honor,' FEAR can hold a society together: he called such fear societies, "tyrannies."

    Perhaps the best way to understand Senator McCain is to think of the phrase, 'men of honor' whenever he mentions 'virtue.'
  • cby
    And, of course, the virtues required in war are not something that could possibly have any relevance for a modern president . . .
  • To prefer Rothko to Bouguereau, these days, is not to display even the slightest flicker of mature judgment. It is merely to display a superficial familiarity with the conventional wisdom of recent times.

    The smug self-satisfaction of WW's second paragraph above just makes me cringe.
  • Will Wilkinson
    But you have to admit that to prefer Rothko to Bouguereau back in Bouguereau's day would have been AWESOME.
  • Ben A
    There is much to be said for the argument that the government has no business imposing on its citizens a commitment to "a cause greater than one's self." There is much less to said for the argument that a flourishing life does not require commitment to a cause greater than one's self. I am very surprised that Will thinks invoking the second argument against national greatness conservatism is likely to cast libertarianism in a favorable light.
  • Wow, that Rothko is utter crap. To prefer that at any time would just indicate terrible eyesight.

    Why is Mitt your man? He's wholly behind the war, he wants to double Guantanamo, he was pushing socialism/corporatism in Detroit and he's entirely made of plastic. If you had said you were for Gravel or Kucinich I would have respected you more, and I don't even know if they're still in the race.
  • wilberforce
    i would just like to applaud steve burton for putting WW in his place. seriously WW, did you even follow your own links? you can't be smugly superior to the unwashed masses' taste in art when your taste is shared by mostly nouveau riche creeps and peter gabriel: http://en.wikipedia.org/wiki/Us_%28Peter_Gabrie....
  • I like Bouguereau and I don't like National Greatness. :(

    *sniff*

    I think this only displays that it's hard to make analogies like this. I'll forgive everyone's art taste if they promise to say bad things about McCain.
  • Will Wilkinson
    For Rothko-haters, I recommend the episode on him in Simon Schama's Power of Art series.
  • WW: why not provide the link? Simon Schama's Rothko bit may be seen here:

    http://www.youtube.com/watch?v=nXZFLf9zHjs&...

    Personally, I can hardly imagine a more damning attempt at a defense. Schama shows not the least sign of visual sensitivity. Which is something the French Academic painters of the 19th century all learned, as a matter of course, if they didn't possess it naturally.
  • redfish
    I find much less people understand Bouguereau than understand Rothko.

    Bouguereau critics find little more in that painting than a bunch of pretty girls, while in fact the painting is a lot more complex than that aesthetically, and thematically.

    Also, its one of Bouguereau's less effective paintings, because the composition is too staged. But I understand why you used it, because you want the easiest foil as possible.
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